A következő címkéjű bejegyzések mutatása: translation. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: translation. Összes bejegyzés megjelenítése

október 24, 2013

an online writers' course and other things

The link is here.
I thought I'd give it a try.
More on that later on.
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Right now I am polishing a 10+ page scientific paper I have translated to English. Some of the most frequent words reveal my state of mind these days: farm regulation, inheritance law, turnover, material resources, measures. Had enough I guess. I, too :) - please tell me it's not 'me, too' here, right?
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About the photos:
They were made in Poland, where we had a nice performance with the choir.
(more photos may come on request)



Keep well,
SzF.


november 28, 2012

a new anthology

the writers' group i attend at my town (note to self: i have almost called it my hometown, when it is clearly not, and although i did spend half of my life here in G..., i was born in N.... and i still consider N my hometown. this notion may or may not change over time, as the number of years i spend in G... slowly outnumbers the first twenty i had in my original town. and i guess this paragraph just makes no sense to all those people moving to and fro between towns, counties or even countries. well, here i am, old fashioned and all.) is preparing an anthology next year.
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this is the second one!
we are all busy editing each other's and our own writings to make them ready for publishing.
you know, it's coming out in paperback-like version, with the number of copies around 500.
this is what we are able to do - spreading our words to families, friends, and more often than not, to guest lecturers at our meetings.
well some of the books are sold to the general public at special book events like the Week of Books (I guess it's around mid-May or something), or at the Day of Poetry (11 April each year).
-
i'm in, of course :)
there will be two translations, one is Carl Sandburg's Fog, and the other one is Robert Lowell's For Sale.
also, there will be two other pieces titled Shadow (a flash fiction when the main character keeps seeing a shadow on the wall while there is nothing there) and The Tale of the Crow (a tale about a crow, uhm, why, yes....this was written in 2007 in English and was first made public here in this blog.)
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június 27, 2011

some people live in a fog - while i translate it :) UPDATED


okay, the title does need some explanation.
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phase 1:
i translate Fog, a short poem by Ca_rl San_dburg.
during translation i do some google research as to the meaning of expressions and to the type of poem.
phase 2:
i submit the translation to an online literature site. i am a regular member and from time to time my writings are published there. it takes one or two editors to let a writing published. sometime the editors suggest some modifications.
phase 3:
the editor completely rejects said Sand_burg translation, quote: 'Although I am not classified to deal with translated poetry, it is all clear that your version is not even coming close to a word-to-word translation'.
phase 4:
*facepalm*
phase 5:
i wonder about the diversity of mind and people, about understanding poetry and translating poetry...about stupid editors....about the need to leave this site...about the urge to laugh... the urge to sob...
-
and a brand new update!!!
phase 6:
my account is deactivated on that site.
it means that i can not contribute to its contents either by writing and submitting poems or translations or by writing comments on other people's writings. there you go.
am i to return to this site?
i mean, ever?
like accepting or asking for being reactivated again?
like... asking anything from these incompetent bunch of editors?

december 24, 2009

merry christmas

below is my translation of a poem by the great Hungarian poet Ady Endre (1877-1919). I followed the form and rhyming of the original poem. suggestions re:word use, rhymes, whatever are accepted. enjoy.



Snow upon the cross in the woods
mighty winter night, the Moon above -
'twas a time ago. Sledge a-rattling
carries me through the woods, in a rush
mighty winter night, the Moon above.

My old man, back then was all gleaming,
Singing songs of joy towards the cross,
Son of my old man, that's what I was
Refusing carved idols, fresh and old
Singing songs of joy towards the cross.

Two stubborn calvinists on the sledge
Father and son we flew on, like time
One accepting, other rejecting,
Next to each other, notes of delight
Father and son we flew on, like time.

Memories from a mere score ago,
My sledge in the woods, towards the night
But now I stop to finish my deed,
To bend and honor that cherished sight
My sledge in the woods, towards the night.

március 26, 2009

Bravery

A friend of mine asked me a favour to translate a poem written in Hungarian by one of her friends. I do not usually translate poems, apart from those I write - this request found me by surprise.
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The title is Bravery - as is my action. Your comments are welcomed.
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Bravery

Definitions are lost.
My love, this is where we are -
Nothingness.
Poles and meat hooks.
Frozen kids emerging from stained loops.

To my table, you are invited,
see - I have no manners.
My head is turned
away with the shrubs upon your plate
no one is supposed to
order.

Come, come into the woods,
let the rain wash us through the dirt
A stillness waits where
hedgehogs rush
from swamps -
and no questions are needed

április 18, 2008

UPDATED - Need some exercise?

If creative writing is among your hobbies, and/or you like reading love stories, do not hesitate: give your hand and brain a try at Christine Eldin's 35th Writing exercise. I wrote my entry and will be publishing it over here early next week.
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In the meantime, do some aerobic gladiator exercise with me.


Go out and so some gardening. Walking does count, too.

-

And if you still have some brain capacity left, try your mathematics and belief in the supernatural. The link I'm giving will take you to a Hungarian site, but do not worry about language. Here's what you have to do:

Think about a number between 99 and 10. Got that? Take the individual numbers and add them up. Extract the sum from the original number. Got this? Check (mentally) the symbol beside this number. Click on the blue sphere. You can go on repeating with the process.

It took me some minutes to find out the truth. And you? I'm awaiting your comments! You may or may not indicate your average grade you had in schools in Maths. (Mine was 4, with occasional 3s and 5s), which equals B in the American system.)

Here's the LINK.

*************** real update - SPOILER ALERT ********** Spoilers are written in write. Highlighting areas where there seems to be nothing reveals the hidden text.

Step 1. I'm all into the supernatural, but this is pure math.

Stept 2. Think about two digit numbers as the sum of two separate numbers. One is taken ten times, the other is one time. Let's say the number is 38. Here, you have ten times the 3, plus one time the 8.

Step 3. If you extract (one time 3 plus one time 8) from (ten times 3 plus one time 8) you got NINE times 3.

This happens all the time.

Step 4. Now go check the symbols. They are randomized, but it's a false random. Numbers of the multiplier list of 9 always have the same symbol.

Step 5. For a freaky touch, the symbol belonging to 9,18,27, etc. are displayed elsewhere, too :)

Step 6. Now tell me which 'Step' introduced your hand to your forehead?

június 01, 2007

clearing all up - or messing again?

In a post about my relationship to writing in English and the problems and joys it involves I had a sentence that left my careful readers unimpressed. Rightly so, for it was not written with the greatest care plus it was quite long. Funnily enough, the entry was about expressing one's ideas in a different language, about making one understood, about matching one's ideas with one's physical life.
The sentence:

Thinking shapes one's attitude towards life and when the net of thoughts just does not fit the net of actions one is to encounter on a daily basis one feels uneasy - at the very least.
Now, before I start handing out some explanation, let me kindly remind us all, that 1.) I am not a linguistic expert and 2.) it was a sentence in a context. If you have not read the original entry, I advise you to go back and read it (again).
Now, with a slightly dead-brain - oh my, I do have to allow myself to declare to be tired and out-of-my-bests, I do have to learn doing this, so...

The entry was about how writing English leads me to thinking English - I bet that is all clear for us... If you are to gather your thoughts and pour them into words, you ought to have them in the same language. Otherwise your thoghts get lost and/or tangled inbetween translation. I learned translation and I also learned that it never means putting the equivalents of the words (in the other language) into the same order as they were in the original language. Translators must feel the text as a whole, must get the whole idea behind the lines.

If one keeps thinking using one special language in one's head - that is ok. That is just about everyone does in the world. Not a big surprise. It's one's original language. Or so it must be, I suppose. Basically this is the same language one uses to communicate with the people around.

If one has a language in the head, but has to use another one for getting around in the outside of the head that must be a burden. Ideas in the head, feelings arosen within are all connected to a language, but when these must be shown to the outside world, translation has to step in. And there comes the uneasiness I referred to - for it is nice to be able to translate all those things, but wouldn't it be nicer to NOT HAVE to translate them at all?

Languages on the other hand, do have an influence on one's mind. It's a sort of an egg-hen problem - you know, the which was first type of problem. Some languages are see things and events of the world as a part of a big scheme, therefore their sentences are chiefly made up of coordinate clauses. Was it a bunch of people that had this vision that made up such a language or was it the language that formed the people?

Oh my, I feel like I'm getting lost in my sentences again...If anyone has followed me until this point, well, have my congratulations...

Some other languages (or bunch of people - see how I try to avoid mentioning words like 'nation') prefer order above all, for the system is more important, the relationship between thing is more important than the WHOLE scene in general. These languages are filled with sub-ordinate clauses for example. When the sentence clearly defines the role of one particle in relation to the other.
If you're still with me, have my sympathy....

Let's suppose one is coming from the big scheme language, with her mind set to thinking in generalities, with her mind seeking the role of a particle within the big scheme - let that be me, to be honest...

Take this someone into a world of subordinates and she'll find it hard at first, not that really hard at second and... She begins writing and thinking in this language, things are changing within her brain...yet she still lives in the same environment...where all the members of her family and all the friends she can get in real touch with are thinking the same 'old' way - at the same time she has entered into friendly relationships with people on the other language...

Okay, I'm lost.
I'd rather be cleaning up the hen house.
I'm glad to have you as friends.
And I might return with my ideas on the subject, but now... not now.
*headed for the chicken house - supplying animals with fresh hay* Is there anything better in the world then gathering hay and spreading it over the floor of the house?
Do you have to write anything and read anything and learn anything at all? When you can make animals happy and make yourself feel needed by such simple deeds?

Oh, my.
I'll be posting a reference to the state I've been recently - and the way I found some way out :)
by your help again, of course...
See? I can't, I just can not tear the two apart. But at the moment, it does not bother me.
Thanks for listening.
I guess this was just as much incomprehensible as the original sentence I started with.
Wasn't it?
Tell me - Have no mercy on me - be honest.

május 22, 2007

writing in English - to Beth

UPDATE:
since Blogger ate my precious photo, I decided to put music here instead. Music by Jane Siberry. Matches my current mood. How good is that, to find a music that suits you.
If I got it right, Beth, commenting on the piece of path revealed below, asked about the difficulties of producing such *pretty* fragments of writing in a language that is not someone's basic/mother one.

(Basically, I am overwhelmed by the encouragement and praise I get for the things I write. This one from Beth is no exception to that.)

Now, this question is a good one.

As you probably know, I started writing this blog in Hungarian, but when I noticed I had international visitors I decided to enable them to communicate with me by letting them know about me and my feelings. So, I had to switch to English.

Writing in English allows me to improve my knowledge of this second language. Sometimes I translate Hungarian prose or poetry by my own and some of my friends help me upgrade these translations.

When I was a teenager I wrote some *coughs* poetry in Hungarian. After due consideration, one might say that some of my English *poems* are better than those I wrote back some 15-20 years ago in my own language. Why? Another mistery. I realized pretty early that I don't measure up to the Hungarian poets I admire. That's when I stopped writing in Hungarian.

Blogging somehow developed into a combined writing. I decided to mirror my soul and spiritual path here. At present, 'Forest thoughts' is the place where I let my graphomaniac self freely out. I shared one of my *poems* just recently with a highschool girlfriend of mine and I remember the shame I felt when I confessed that I wrote these in another language. She said she did not mind it and liked that thing anyway :) She was kind to me I guess.

Writing in English involves thinking English and here come the difficulties.

For it results that at times it makes me feel detached, at other, schisophrenic, at some insignificant others still, a genius. These latter do not last very long, though - don't get me wrong, please :)))

And to answer my friend's question - it is easy, for it entertains, educates and inspires me. I love finding matching photos to mood-inspired writings and some of my writings were inspired by photos, too. Also, it is very hard because you can not always be sure about the meaning and what your selected words convey to the reader. Will s/he get the same impression? Will my range and pick of words and expressions mislead him/her? If I tailor my inner self to a language how will it affect my outer life, that is my life when not writing?

In fact I have come to a point where writing in English has started taking its tolls on me. And in not a good way. And that is sad. For I like writing. And writing in English, too.
For the past days I have been considering giving blogging up. Or giving up writing. Or giving up writing in English. Thinking shapes one's attitude towards life and when the net of thoughts just does not fit the net of actions one is to encounter on a daily basis one feels uneasy - at the very least.
Beth, was this answer satisfactory?

For those who are concerned, and for the time being, I decided NOT to give up either blogging, or writing. But I will have to work out the things for me.

április 26, 2007

On request: love and love

This is a post I am quite late with. I promised working on it to Anniina but I'm sure it will please those of you out there also, who have an appetite for linguistics and hidden meaning of words.
Let's set up definitions love type1 and type2. Type1 is for a love that is between married couples and in general, between a man and a woman. Some more 'up-to-date' persons might add some other combinations to the list, but this is my blog. Type2 however is something one usually feels towards his/her children, God, friends, fellow beings - provided that said person has any of those.
In the Hungarian language there are two words for the feeling(s) that the English compounds as 'love'. These are nouns and I admit, that if we need the verb form, the verb is the same for both feelings.
The English says:
'I love you' - and upon circumstances and speakers the reader/listener decides whether it is love type1 or type2.
The Hungarian says:
'Szeretlek' - and the situation is the same, although the Hungarian, being an agglutinative language, needs only one word for what the English uses three. But that's not my point. Not now.
But behold, when it comes to nouns.
The English says:
'love' - and one decides whether the speaker/writer refers to type1 or type2. Is it a love between a man and his dog or his womanly partner? between friends or very good friends?
The Hungarian on the other hand, says:
'szerelem'- for type1
'szeretet' - for type2.
Most of our original words have their own roots and thus, one (who's not brainwashed enough) might dig into words in search of something treasured - and usually there is a find to excavate for.
You might have noticed that both of our nouns start with 'szer' and end up differently: 'etet' and 'elem'. Got that, right?
'szer' is a very difficult word to describe - even for most Hungarians it has lost its original meaning. We still have this root, though in words like 'szerszám' - meaning instrument, utensil, tool. In which the 'szám', means 'a piece of'. And also in 'szervez' - meaning 'to organize'. In which the 'vez' - might be a shortened form for 'leading/leader'.
I conclude 'szer' being a noun that refers to something that is not really physical, but essential. If you perform a ritual, you participate a 'szer'. Think of the English (though Latin-derived) ceremony. See the 'szer' at the beginning of the word?
'szer' is a ceremony, during which on can practice rites and his/her beliefs.
Now, let's get back to the back of the loves, type1 and2.
'elem' - (noun) means particle, component, piece of, factor, unit.
I conclude that this addition makes 'szerelem' (love, type1) something of a ritual that is part of a higher ceremony.
'etet' - (verb) means to feed, to supply one with food. (on a side note: 'itat' - (verb) means to supply one with water...pls note the t-t's in both verbs)
Following my logic towards the creation of Hungarian expressions, this turns 'szeretet' (love, type2) to a rite that nourishes. A sequence and package of events and feelings that leaves one fed and comforted. It is inevitable if one is to live and develop.
Your turn: can you name any other language, be it real or fictional, alive or long forgotten, where the same phenomenon exists? And if your native language is not English, please inform me/us about the word for love. And love.
I set my mind not to bother you with pronounciation, as that's not the main issue here. However, if you are interested in how to say aloud these Hungarian words, just go ahead and ask me.

március 10, 2007

Killing our sister

Pre-face: I wrote this on 8-10 March, but the inspiration was deeper within. Everytime I see a tree cut out for no particular reason (building new houses, making a parking lot clear included) I mourn over the loss. We, as many other languages in the world call the ecologically concerned greens. We, probably unlike some other languages have a special term for a special shade of green. Imagine a strong and bright, yet incredibly dark green. We say 'méregzöld', or 'haragoszöld', which literally translates into 'angry green' or 'green with a venom'. We do NOT apply this to angry environmentalists, though. But count me as one.
We all saw it coming
Big house, fancy-house
Lots of expensive architecture
Roll-on grass and sprinkler heads
Comfort and convenience
We all saw it coming
Until just one day
A man climbed up the tree and begun killing it

The tree that used to
Fill the spring air with a heavy scent
It used to caress our eyes with her white and pink blossoms
And also it casted shadow in the mid-summer heat
Supplid us with chestnuts, big and small to gather and treasure and
A kaleidoscopic shower of leaves in the fall
She gave it abundantly, not asking for whom it may concern
She gave herself so generously
For anyone with an eye and a heart to accept

And now she'll be gone
For the men working up on her body are strong and brave
For man is strong and brave
And he who conquers nature is a sure winner
And we, the walkers by just look and look away
Denying our lover and mother

Wouldn't it be wiser to shake that man off the tree
Hey, you're killing me - hear him shouting in frantic
And hey, it's you who're killing me
And my friend, and my mother
Wouldn't it be so wise to do this?
And still we walk away and look away

And it is not that man that does the harm
It is us
For we play safe and kill our sisters and brothers
we kill ourselves

február 04, 2007

Kosztolányi Dezső - a translation from me


Dear all, I've come accross this short story a few days ago. It found me for no adequate reason so I decided that the encounter was because I had to share it with you. The writer is Kosztolányi Dezső and is called 'Öreg barackfa'. It is literature, although none of the words, word combinations or expressions differ significantly from the language we use everyday. I tried to give back the meaning on the surface and in behind - pls consider it as one of my attempts at translating Hungarian literature into English... Any suggestions grammatical- or otherwise are welcomed. Thanks. Kosztolányi Dezső, as you might have read in the Wikipedia was basically a poet. He did write poetry and although he is not my favourite poet at all, this piece of writing struck me in the heart. Update: Thanks Annina, for the grammatical and stylistic review.

Dezső Kosztolányi: An old apricot tree - a short story.

Mrs. Barber had the flat fixed up this autumn. When all the rooms have been re-painted and cleared up she noticed that the drawing room is still dark. In the courtyard, right in front of the window stood an old apricot. She made up her mind and called for a hand from the neighbours and addressed him:
- Cut this out.
The dayman leant a ladder to the tree and slowly began the sawing.
He started with the head. Large branches fell down, rattling, one after the other. Twigs uttered certain sighs of leaves.
This was when Mr. Barber arrived home.
- What is that you are getting done?
- I'm getting it cut out.
- Why?
- Because it took the light away. See how it becomes lighter already.
- Do you not regret the tree?
- The tree was old.
- How old it is?
- At least twenty.
- For how long do apricots live?
- I haven't the faintest idea.
Mr. Barber went into the library-room, fetched an encyclopaedia. He read out aloud:- 'Apricot. (Prunus Armeniaca). Has an average lifespan of thirty years.' So - he said thoughtfully -, it's just like as it was me.
-Tush!
-Yes, it is. I am now forty. First off comes my head, then my arms and thighs.
-It hardly had any fruits.
-But it blossomed.
-Oh, but you could not eat its fruits. Remember how small and sour those apricots were.
-Yet she bore them each year. Poor old lass. It was not her fault. She was quite diligent, you see. And do you believe that she does not feel all that's going on now?
-Perhaps.
-A scientist in India has discovered the central nervous system of trees. These can communicate. They use signs. It's only we that don't understand them...
The couple went out to the garden. The dayman was pulling out the trunk. The branches and twigs lay there on the ground, with leaves still green. The leaves whispered in the September wind.
- As if the tree was still alive - said the woman.
-It's the hair of the dead - said the man.
Later on, when the whole tree was chopped up and brought down to the basement as firewood for the winter, they both returned to the drawing room.
- It is definitely lighter here - added the woman - Isn't it?
- Sure.
- Positive! Be honest. Have you ever seen so clearly here at seven in the evening?
- No.
-Bessy! - Mrs. Barber called for the maid - It is lighter here, isn't it?
-Oh, really so, Madame.
-Well, wait for the winter. That's when we will really see.
Husband and wife settled in front of the window. They watched the space where the old apricot used to be and where only a fresh pile of ground heaped. They were speechless for a long time.
- Tell me - told the woman - isn't it lighter here?
- Absolutely - answered the man -, it is much lighter.
After that they stopped talking.
They both felt that it was much, much darker now.

december 19, 2006

speaking of

languages, I am troubled now.
I started this blog more than a year ago. I started it in Hungarian, for it was of no question for me. This language has always been the primary way of expression for me. This is how I absorb rhymes and poetry in general this is where the words crumble like a good piece of bread in your mouth - you feel each particle and get nourished by the compound as well. Never in my life have I expected to be able to feel the same way towards any other language. Cause those are secondary ones.
I had a somehow painful flick with Spanish for a while and had some times learning German too, but the list of my secondary languages, composed of only three languages is and has always been topped off by English.
I never thought I would be able to write in English and by writing I mean something that has meaning beyond words, something that not unlike to a dress covers and reveals, plays with you and comforts you.
I sometimes am surprised by what I am able to 'produce' in this second language of mine... I am sometimes mad at not being able to do something similar in the language I adore the most... as if from time to time I abandoned my husband for a lover, and kept returning home....and each time I enjoy the flirt...
yet feeling somehow...misplaced.
I, just today translated a poem a friend wrote.
I felt the need because I felt the poem so much it came under my skin instantly.
But I did not write it...did I?
I admit having done some alterations to the text, but you know how it goes with translation. It's not the words you translate its the meaning.
I am unsure.
Why am I not able to use my beloved first language for expressing myself?
Is this an excuse to escape from reality?
I think I'm going to gulp down some good Hungarian poetry.
Cheers.
Your opinion are welcomed.

július 30, 2006

a memory from February

Yesterday I found a slip of paper with this written on it:
Idegen, ködös, távoli a táj
ez emberek, a lények mind lepelben
a szavak köd-párák, melyek szertefoszlanak
a Nap melegénél
eltűnnek, felolvadnak az éltető tűzben
oda tartok én is, vonz a tűz
lebegek, szállok a fény felé
lábam nem érinti a talajt, kezeim nem éreznek
amit látok, nem több, mint színes kaleidoszkóp
megfoghatatlan és értelmezhetetlen
The picture is totally unrelated. Or, it's not, because I've chosen it today to suit the mood of the piece. I made the photo back in February 2004 and wrote that little something in February 2006. I consider changing the photo whenever I find a more suitable one. Here's a translation I made yesterday.
the world, people and all living
are all blurred into a strange, faint vision
masked in the distance
words are vapours that melt
in the heat of the Sun
words crumble and dissolve in the living flames -
and that's where I'm heading for
the fire attracts me
I am floating, flying towards light
my feet don't touch the ground my hands don't feel anymore
what I see is all but a coloured caleidoscope
untouchable and inexplicable.
I remember the day and the feeling. It was one of those days.

július 24, 2006

UPDATE a poem by Reményik Sándor

UPDATE
I am more thank thankful for his comments. I know that there's not much traffic here. From those who visit my diary in a more or less regular fashion I asked a help - reading and watching carefully my first ever translation of a real poem. I sometimes try to write poemlets in English, but this is something else. This is a real poem by a real poet. And yes, I have done translations before, but those were not poems. This is new to me.
I know I make grammar mistakes. That is obvious. I am sorry for those. I really try to improve my English, but the older I get, the less I seem to absorb rules.
I agree that all grammar weeds must be eradicated, but basically I am NOT asking for a grammar revision.
The most difficult task during translating this poem was to find the most appropriate phrases or words for the Hungarian ones.
For example, I kind of disliked the 'nestle close up to you' - thing as I have never heard of it before. I think it might be a rare expression, although the Hungarian equivalent "hozzádsimulni" is an almost everyday-expression. I looked up in here and found that embrace might be a better one. Fondle is also close, but that rings sexuality in my head and that is absolutely not within the original poem. This verb is a crucial here, as it refers to how the writer relates to Nature.
So, any comments are appreciated and thanks for commenting!
And should any of you come accross of any official translation of any of Reményik's poetry, do not hesitate to contact me here.
(This is one of my favourite poems - and a very rough translation by me. An attempt to translate one of the most gorgeous and fragile, yet powerful poems of Hungarian literature to English. I am not a translator of poems and such - so I'm sorry for the quality. I translated it, ok, sort of, because I could not find an official translation of any of Reményik's poetry, but wanted to share it's beauty with you. The original poem has rhyming lines, which I absolutely could not measure up to in my weak attempt. In fact, this is my first ever translation of a poem. Any suggestions to better the English outcome are heartily welcomed. I am here to debate:) Please, please show me what's wrong with it, what are my weaknesses.
Firts comes the original poem in my language, as written by R.S., then it somes in my English.

Reményik Sándor: Vágy

Szeretnék úgy belédsimulni
Természet - mint egy falevél,
Mint egy fűszál, mely egyformán nyugodt,
Ha harmat száll rá, s ha rá száll a dér.
Szeretnék úgy belédsimulni,
Mint egy elvesző árnyalat
Az alkony ezerszínű tengerén,
Szeretném fölszívni az árnyakat,
S magamat tőlük fölszívatni én.

Szeretnék úgy belédsimulni
Természet - mint egy lehelet,
Mint szél fuvalma, mely alig-alig
Borzolja fel az alvó vizeket,
Szeretnék úgy belédsimulni,
Mint egy tétova napsugár,
Mely jár az erdő sűrű rejtekén,
És nem keres és nem talál,
Szeretnék úgy belédsimulni
Természet - mint egy tűnő napsugár.

(S szeretném, ha mellettem elmenet,
Valaki szólna:
"Nézd, már itt az ősz,
Sárgulnak lassacskán a levelek."
És nem ismerné meg a levelet.

És szeretném, ha rajtfelejtené
Valaki a szemét az alkonyégen,
S szólna: "ezerszínű az alkonyat,
Így láttuk ezt valaha, - vele - régen."
És nem sejtené, hogy egy árnyalat
Az esti színek közt én vagyok éppen.

És szeretném, ha jönne valaki
Az erdő rejtekébe
És szólna, "nini, milyen különös:
A nap e mély homályban is ragyog."
És nem tudná, hogy az is én vagyok.)

Szeretnék úgy hozzádsimulni
Természet - mint a vén moha
A fák északos oldalán,
S nem lenni hozzád hûtelen soha.
Szeretnék úgy belédsimulni,
Mint tücsök hangja holdas éjeken,
S szeretném, ha valaki elborongna
Rajtam, mint multból zengő éneken.

S szeretnék úgy vegyülni el beléd,
Természet - mint a síri por,
Mit ezeréves hantokról a szél
Nagy-messzi tengerpartokra sodor.
Ott játszana velem egy kisgyerek,
Kicsiny kezén futnék fel és alá,
S e port, mely egyensúlyát nem leli:
Egy percig egyensúlyban tartaná.

Desire
by Sándor Reményik

Nature, I would like to nestle up close to you -
like a leaf or a blade of grass,
that is easy, may either dew or frost fall.

I would like to nestle up close to you,
like a fading shade,
on the carpet of thousand colors of the dusk,
I would like to absorb these shades,
and be absorbed by them, too.

Nature, I would like to nestle up close to you -
like a breeze,
a breath of wind, that hardly
rises water yet asleep,
I would like to nestle up close to you, as
a wandering ray of sunshine
that rambles in the deep ambushes of a forest,
neither to seek nor to find,
Nature, I would like to nestle up close to you -
like a fading sunshine.

(And then someone, passing by,
would say:
'Look, autumn is here,
the leaves are slowly turning into yellow.'
And he would not recognize the leaf.

And I imagine someone would rest
his eyes upon the wonderful dusk blanket of the sky,
saying: 'what a miriad of colors,
we used to see this, once upon a time - with him.'
without even feeling that one of the shades
of the evening colors
would be just me.

And I would like someone
to come to the inner part
of a forest to say: 'look, how strange:
there is bright sunshine
in the deep darkness.'
and he wouldn't be aware of that ray being me as well.

Nature, I would like to nestle up close to you -
like an old moss
on the northern sides of trees,
and never to leave you forever.
I would like to nestle up close to you,
as the voice of crickets
on moonlit nights,
and there would be someone to ponder
about me, as a song echoed from the past.

Nature, I would like to mingle into you
like a dust that has drifted
from thousand year old graves to
far away sea-shores.
There would be a child,
balancing me from one of his tiny hands to another,
and the restless dust that finds no ease
would be in balance for a minute.